Posts Tagged ‘U2’

U2 and Jay-Z Team Up for Haiti Benefit Song

Tuesday, January 19th, 2010

U2, Jay-Z and Swizz Beatz are among the latest celebrities to come together in an effort to raise money for Haiti following the devastating earthquake that struck a week ago. The three are joining forces for an as-yet-untitled Beatz-produced charity song that is expected to be sold on iTunes.

“Last night we wrote a song … Bono got a call from a producer, Swizz. He and Jay-Z wanted to do something for Haiti,” U2’s The Edge said on Saturday (Jan. 16) on the Dave Fanning radio show on 2FM. “So, Bono came up with the phrase on the phone, and last night we were here, we wrote a song – finished, recorded, and sent it back to them. So, that might be the next thing you hear from us!”

Swizz Beatz also confirmed the collaboration, posting on his official Twitter page over the weekend: “Me, Bono, Hova have something to say about Haiti. Stay tuned. I told you I was working on something amazing for Haiti. They need us!”


U2 Launch 360 Tour With Call to Space Station, Jackson Tributes

Friday, July 3rd, 2009

U2U2 paid tribute to Michael Jackson at the band’s first date on their 360° Tour in Barcelona, Spain, last night as Bono dedicated “Angel of Harlem” to the Thriller singer. “We wrote this one for Billie Holiday but we are going to play it tonight for Michael Jackson,” Bono told the crowd of over 90,000 at Camp Nou stadium. The Edge, Adam Clayton and Larry Mullen Jr. also weaved bits of Jackson’s “Don’t Stop ‘Til You Get Enough” and “Man in the Mirror” into the song, Reuters reports.

Performing on the innovative set dubbed “the Claw” for the first time, the two-hour-and-20-minute gig featured a mix of songs from the band’s latest LP No Line on the Horizon (seven tracks, including “Breathe,” which opened the show), as well as greatest hits like “Sunday Bloody Sunday,” “One” and “Unforgettable Fire.” Still, the band’s amazing new stage threatened to steal the show. The Claw features a 360-degree video screen, an awe-inspiring light show and apparently, a satellite linkup to space.

After the fourth song of the set, Bono rang up the astronauts on the International Space Station via satellite, who appeared live on the Claw’s 360 screen. According to U2’s official site, Bono asked, “Commander, can you see Barcelona?,” to which the astronauts replied, “Right now the most beautiful sight in our cosmos is the blue planet Earth” — a nice segue into “Beautiful Day.”

U2 continue their stint in Barcelona tomorrow, July 2nd, before visiting the other 30 cities on the 360° Tour. Their first North American show is on September 12th at Chicago’s Soldier Field.

Set List:

“Breathe”
“No Line on the Horizon”
“Get On Your Boots”
“Magnificent”
“Beautiful Day”
“I Still Haven’t Found What I’m Looking For”
“Angel of Harlem”
“In A Little While”
“Unknown Caller”
“Unforgettable Fire”
“City of Blinding Lights”
“Vertigo”
“I’ll Go Crazy If I Don’t Go Crazy Tonight”
“Sunday Bloody Sunday”
“Pride (In The Name of Love)”
“MLK”
“Walk On”
“Where The Streets Have No Name”
“One”

“Ultraviolet”
“With Or Without You”
“Moment of Surrender”


Complaint says top musician dissed over royalties

Wednesday, June 10th, 2009

bono-150x150Which top-selling artist purportedly had his new single yanked from some radio stations playlists in retaliation for supporting royalties for musicians?

No one involved will name the recording artist, but his no-play treatment by several radio stations is alleged in a complaint filed with the Federal Communications Commission and obtained by The Associated Press. It claims recording artists are being threatened and intimidated.

In the filing, the musicFIRST Coalition says the top-selling artist — there are hints it could be U2 frontman Bono — recently released a new album and spoke during April in support of an effort to require radio stations to pay musicians royalties similar to those paid to songwriters.

Soon after, it said, “several stations within a major radio broadcast group notified the artist’s label that they would no longer play his single on the air.”

Representatives for musicFIRST refused to identify the artist.

U2’s album, No Line on the Horizon, was released in March with its leadoff single, “Get on Your Boots.”

In April, Bono issued a statement on behalf of pay for musicians, saying, “It’s only fair that when radio makes money by playing a recording artist’s music … the recording artist should be compensated just as songwriters are already.”

Calls and e-mails to a spokeswoman for Bono were not immediately returned.

Other artists involved with musicFIRST include Don Henley, Celine Dion, Christina Aguilera and Wyclef Jean.

The filing also alleges unfair treatment of other artists by radio stations in Florida, Delaware and Texas. It does not identify any of the stations but accuses the stations of unlawfully putting their own financial interests above their obligation to serve the public. The group asks the FCC, which regulates the public airwaves, to investigate.

The controversy centers on legislation in Congress that would require radio stations to pay musicians royalties. Satellite radio, Internet radio and cable TV music channels already pay fees to performers and musicians, along with songwriter royalties. AM and FM radio stations just pay songwriters, not performers.

The National Association of Broadcasters opposes the bill, called the Performance Rights Act. The NAB says it amounts to a tax on U.S. radio stations and threatens thousands of jobs.

The filing by musicFIRST, made late Tuesday, also said:

_A Delaware radio station boycotted all artists affiliated with musicFIRST for an entire month.

_Before an interview, an artist was pressured by a Texas radio station to state on the air that the Performance Rights Act would cripple radio stations.


Dave Grohl Discusses U2, Eddie Money, LSD, Jams at LA Chat Show

Thursday, March 19th, 2009

 

davegrohlOne monster jam went down at Hollywood’s Largo Theater last night, as Foo Fighters frontman Dave Grohl and producer/multi-instrumentalist Jon Brion pounded through a medley of classics by Rush, Foghat, Eddie Moneyand the Edgar Winter Group all in under three minutes. It followed a dramatic stage reading by Grohl of metal band Manowar’s ”Gloves of Metal” and “All Men Play On Ten,” recited as poetry while Brion tickled the piano keys with a serene lullaby. If that sounds ridiculously absurd, comedian Greg Proops intended it that way.

Best known for his improv work, a recurring role on Nickelodeon’s “True Jackson, VP,” and guest stints on shows like “Flight of the Conchords,” Proops is hosting a monthly “Chat Show” at the recently relocated Largo, and asking friends to share the stage and their personal stories. Last night’s line-up included half-hour sit-downs with Grohl, whom Proops met last month at a Valentine’s Day dinner, and comedian David Cross. Both Daves regaled the audience with tales of their younger years – Cross describing the fake ID he used to sneak into Athens punk shows (checking out bands like Pylon); Grohl telling of the first time he met U2’s Larry Mullen, Jr. during the Nirvana days. Proops proved to be a solid interviewer, leading the conversation gingerly while making sure to draw plenty of laughs, but it was Grohl who had bellies aching by the end of the night.

Grohl described the first time he did acid at 17. “I was scared, because I knew that’s a fuckin’ gnarly commitment, man,” Grohl told Proops. “It’s like, nine hours.” And as it turned out, coming down from that fateful trip was just as dangerous. “I saw this percolator from, like, the Dick Van Dyke show in the 50s,” said Grohl, “and all I could think was, ‘coffee!’ So I take it down, plug it in, don’t put anything in it, and then, poof! I was thrown to the ground, in altered states, out of my mind! I was out for, like, two days. Good blotter, dude.”

Grohl also went on a confessional tear about his fondness for Rush back in his high school days. Hearing “2112″ for the first time, he said, was an epiphany. “It was, like, woah – drums! You could be, like, the leader, then take over the world.” But Grohl admitted he had to keep his fandom secret due to the band’s “questionable” cover art. “On the back [of the album], they’re all in white silk, one dude is in a kimono, and the other has these gnarly Cameron Diaz disco pants where the seam is perfectly [lined] in the middle of both of his balls,” he explained. “I didn’t tell anybody that I liked this band because of that dude’s fuckin’ nuts! I was afraid my friends would beat me up.”

Grohl went on to describe an encounter with Eddie Money sporting green shorts, shirt and Crocs (“and it wasn’t St. Patrick’s day”), and being “trashed in the U2 dressing room … I had my pants around my ankles and I was holding a fuckin’ [giant] wheel of cheese. I turn around and look, and it’s the drummer from U2 who just invited me to the fuckin’ show.”

Most of the evening was guided by Proops, who opened the show with a long-winded rant on everything from Sarah Palin to Canada’s Provincial system. But the Manowar “reading” was entirely Grohl’s idea. “I don’t know if anyone’s familiar with this heavy metal band,” Grohl told the crowd as he unfolded a lyric sheet. “To be honest, I don’t like their music at all, but their lyrics are fuckin’ awesome.” (See for yourself here)

The show’s finale was the improvised jam, with Grohl on drums and Brion taking the lead on guitar, effortlessly gliding through almost every song referenced during the night. “We’ve prepared nothing except volume,” prefaced Brion as they kicked things off with, what else, but Eddie Money’s “Two Tickets To Paradise.” After the curtains came down, Grohl admitted backstage that he couldn’t really hear what was being played, but was clearly impressed with Brion’s savant-like ability to seamlessly segue from one song snippet to the next. “What do you call that?” we asked Grohl. His answer: “Not fair.”


U2 Want Brad Pitt to star in U2 movie

Monday, March 2nd, 2009

Bono of U2 and Brad PittU2 want Brad Pitt to star in a movie about their lives. U2 guitarist, The Edge thinks the Hollywood hunk would be the perfect person to portray him if a film about the Irish group was ever made.

Edge, 47, said: “We’d want it to be realistic, we don’t want the usual things, so Brad Pitt would play me. We want to be realistic, you know, you don’t want to do the Hollywood thing.”

Bono thinks only an Oscar winner could do him justice on the big screen.

He joked to British radio presenter Christian O’Connell: “Yes, I would say. who’s another tall, skinny Irishman? Daniel Day Lewis would play me.”

The band – who released their twelfth album ‘No Line on the Horizon’ last week – also admitted they have come close to splitting on several occasions since they formed in the 70s.

Bono, 48, believes the band – which also includes drummer Larry Mullen Jr. and Adam Clayton – hit a bad patch “every few years”.

Edge confessed: “I do this thing probably about once every 10 years where I go OK, that’s it, I’ve had enough.”


Bono, The Edge To Work On Spider-Man Broadway Musical

Monday, March 2nd, 2009

bonoedgespidermanThe long-in-the-works Spider-Man musical has an official opening date.

“Spider-Man: Turn Off the Dark,” directed by Julie Taymor with music and lyrics by Bono and the Edge, will open on Broadway on Feb. 18. Preview performances start Jan. 16.

Producing are Hello Entertainment’s David Garfinkle, Martin McCallum, Marvel Entertainment’s David Maisel, Sony Pictures Entertainment and Jeremiah Harris.While no castings have taken place, Taymor has been conducting table readings with the young stars of her movie “Across the Universe,” Jim Sturgess and Evan Rachel Wood.

Sturgess is not expected to join the musical as Peter Parker/Spider-Man, though Wood has publicly said the role of Spider-Man’s Mary Jane Watson was hers.


New U2 Album Delayed To 2009

Tuesday, September 16th, 2008

The next U2 album, which had been expected out in time for the holidays, has now been delayed to early 2009. In a new posting on U2.com, Bono says, “We’ve hit a rich songwriting vein. It gets a bit dark down here but looks like we’ve found diamonds not coal. I thought a while back we might have the album wrapped by now, but why come up above ground now if there’s more priceless stuff to be found?

“When we set out on this record it was [drummer] Larry [Mullen] who came up with the plan not to have a plan. He put up this idea that wouldn’t it be great just to make music for its own sake, not for the purpose of a live show or on album but just to see what we’re capable of.

“It’s a brand new chapter for us, and everyone we�ve played the tracks to has said that musically it feels like another departure. The last two records were very personal, with a kind of three-piece at their heart, the primary colours of rock – bass, guitars and drum. But what we�re about now is of the same order as the transition that took us from The Joshua Tree to Achtung Baby.


Island Records Founder Chris Blackwell on Working With U2

Wednesday, August 27th, 2008

Chris Blackwell is the founder of Island Records and one of the most successful entrepreneurs in music-industry history. From relatively humble beginnings in an office in Jamaica, Blackwell grew Island into an international force, finally selling the label to A&M records in 1989.

Along the way, Blackwell and Island were responsible for changing the face of pop music repeatedly. Bob Marley was an Island discovery, and the label was the driver of reggae’s rise to a global cultural phenomenon.

The label was also home to U2 from 1980-1997, and shepherded them from their Dublin pub beginnings to the apex of their stardom. Under Blackwell’s long tenure, Island became known as a haven for creative and quirky artists, releasing landmark albums from artists as diverse as Traffic, Tom Waits, Fairport Convention, Robert Palmer, The Pogues, Frankie Goes To Hollywood and Anthrax.

Blackwell now heads a new venture, Palm Pictures, which is a film, music and new-media company that focuses on world and electronic music, independent film, and internet-delivered content.

CHRIS BLACKWELL DISCUSSES WORKING WITH U2


Interview With Interscope Records Chairman, Jimmy Iovine

Sunday, June 29th, 2008

Jimmy Iovine is Chairman of Interscope/Geffen/A&M Records, a label group in the Universal Music Group family. Originally a producer and engineer, Iovine had a hand in creating some of the most enduring albums of the 1980s, working with artists like Bruce Springsteen, U2, Meatloaf, Tom Petty, Patti Smith and Stevie Nicks. (more…)


Island Records Founder Chris Blackwell on Working With Bob Marley

Sunday, June 29th, 2008

Chris Blackwell, founder of Island Records, shares with a group at Loyola University, New Orleans how he came to work with Bob Marley, what it was like working with him, and discusses Marley’s impact on music and on the world as a whole. (more…)