Posts Tagged ‘EMI’

David Bowie’s New Makeover: Rock ‘n’ Roll Recluse

Friday, March 5th, 2010

David Bowie is spending his Golden Years in anonymity.

The 63-year-old rock icon last released a new album in 2003, and stopped touring in 2004 after suffering a heart attack during a European trek. The early Internet enthusiast has not even updated his official blog since October 2006, when he proudly revealed he would voice a character on the kids cartoon show “SpongeBob SquarePants.”

Last year, he attended a few red-carpet events to help promote his son Duncan Jones’ movie “Moon.” But otherwise the musical chameleon seems to be savoring his latest metamorphosis into married father of a 9-year-old daughter in New York.

“He’s just being Dad, I think, laying low,” said bass player Gail Ann Dorsey, who started working with Bowie almost 15 years ago. “I can’t imagine he’s not writing or doing something, but we’ll just have to wait and see.”

Dorsey said she e-mailed him a birthday greeting in January, but resisted the temptation to ask if he was working on any projects.

“I never pry into an artist’s life, or process either,” Dorsey said. “I don’t write to him and go, ‘What are you doing?’ Or call and go, ‘Why aren’t you playing?’ You let people be and you see where it falls.”

Bowie biographer Marc Spitz is slowly losing hope that the singer will make a comeback, even as peers such as Lou Reed and Iggy Pop keep recording and touring.

“CLOSE TO THE ABYSS”

His absence is all the more striking given that Bowie had released an album or single almost every year since 1964. It would be akin to the equally prolific Woody Allen stepping back from filmmaking, Spitz said.

He also noted that people are used to celebrities such as David Letterman and Robin Williams bouncing back after heart ailments, not to mention former Vice President Dick Cheney.

But given that Bowie often performed songs about death and the mysteries of life, Spitz said he might have lost his appetite after getting “that close to the abyss.”

He also interviewed people for his book, “Bowie: A Biography,” who told him: “Maybe he’s just done, maybe he’s said his piece,” Spitz recounted. “Some people don’t go forever and ever and ever, like the Rolling Stones.”

Bowie’s managers declined to comment on his current pursuits. The singer has long dabbled in film, painting and photography. Bowie and his second wife, Somali model Iman, are the parents of 9-year-old Lexi.

His 38-year-old son Duncan, formerly known as Zowie Bowie, kept the family in the news this past year with his sci-fi movie “Moon,” which recently won a British Academy Film Award.

While it’s entirely possible that Bowie is occupied with parent-teacher meetings and playing the house-husband role that John Lennon assumed for the last five years of his life, he has kept his representatives busy with archival projects.

EMI last year released a CD and DVD derived from his 1999 appearance on VH1’s “Storytellers,” as well as a bonus-packed 40th anniversary reissue of his “Space Oddity” album.

Universal is about to reissue his self-titled 1967 debut album, also with bonus tracks, and Columbia has just issued a live CD from a 2003 tour.

The latter release, “A Reality Tour,” is a double-disc set culled from a pair of shows in Dublin. A DVD version was released in 2004.

Still, Spitz is more interested in what Bowie has to say now. His last studio album, “Reality,” came out in July 2003, spending just four weeks on the U.S. Billboard 200 chart.

“His real value was how he synthesized the times and ran it through his psyche and then offered it back to us,” he said. “I’m not as interested in what he had to say in 1976 as what he thinks of the state of the now, because he is so sharp and his insight is so valuable.”

Source: Billboard


EMI crashes £1.75 billion into the red

Tuesday, February 9th, 2010

EMI, the music group behind artists ranging from Kylie Minogue, to Pink Floyd to Katy Perry and country and western band Lady Antebellum, crashed £1.75bn into the red last year, according to figures released by the company tonight.

The loss is one of the biggest black holes ever seen in a private equity-backed business and threatens to shred the ­reputation of Guy Hands, the outspoken City financier whose Terra Firma group paid out more than £4bn for EMI just before the credit crunch took hold in the summer of 2007. It could ultimately, push the famous record label into the ­control of US bankers.

EMI Group operates two divisions – recorded music and music publishing – but its financial problems are concentrated in the recorded-music operation, whose assets include Coldplay and Kylie Minogue, and an extensive and much-lauded back catalogue that encompasses albums such as David Bowie’s Aladdin Sane, the Beatles hit Sgt Pepper, and Pink Floyd’s Dark Side of the Moon.

Hands must now persuade Terra Firma investors to inject a further £105m into Maltby Capital, the vehicle he set up to acquire EMI, by the end of March, to prevent the record company from breaching its loan agreements. Such breaches could allow lender Citigroup, which is owed some £2.6bn, to seize control of EMI. Maltby says in its accounts that it is not certain it can persuade the required 75% of investors to back the fund raising.

This cash injection will only provide Hands with a year’s breathing space while he tries to find a longer-term solution to EMI’s debt problems. In the Maltby accounts the directors say they expect to breach covenants next year too unless they find more cash. They reveal that the pensions regulator has been called in as a result of a disagreement between the company and the EMI pensions trustee on how to fund a pension scheme deficit of up to £200m. It adds there is “no certainty” funds will be available.

EMI’s music business – which has a heritage stretching back over 100 years – has actually ­performed well: with profit before financial charges up 81% to £298m as its chief executive, Elio Leoni-Sceti, has cut costs and grown market share by finding and promoting new musical talent. EMI’s Capitol Nashville label has the number one album in the US this week, with country and western band Lady Antebellum.

But Maltby – whose chairman is Lord Birt, former director general of the BBC – has plunged £1.75bn into the red as a result of a £1bn financial writedown, a vast interest bill, derivative and foreign exchange losses and restructuring costs.

The crisis is centred on the £4.2bn price tag Hands agreed when he acquired the business. With hindsight it is apparent that he paid out far too much, and he has admitted as much, launching a legal battle in the US and claiming that his adviser, Citigroup, tricked him into offering too much for the business by ­failing to tell him that other potential buyers had pulled out. The bank also provided some £2.6bn of debt to Hands for him to do the deal.

Hands attempted to thrash out an agreement during last year, offering to inject another £1bn into EMI if the bank would, in turn, write off £1bn of its debt. Citigroup rejected that deal.

In order to persuade Terra Firma investors to stump up another £105m, Leoni-Sceti has now been asked to produce a new business plan to show that they would not be throwing good money after bad.

However, a source close to the company said that the new strategy was “more of the same really, with more emphasis on digital and less on physical [music products]“.

The cash injection would protect EMI only until next spring. In that time, Hands must either win his legal case against ­Citigroup, reach a settlement or come up with a new refinancing plan.

Citigroup is now attempting to get the legal dispute moved from New York to London – a move that threatens a potential double blow to Hands. Hands wants the case to be heard in New York, arguing that that is where Citi is based. If the case is transferred to London, any potential damages for Terra Firma would be far lower.

A London legal dispute could also wreck Hands’s personal tax planning. He moved to Guernsey last year in what he claimed was a protest at higher capital gains and income taxes – and for him to appear in a London court as a ­witness could endanger his non-resident tax status.


EMI draws up fresh plan for cuts

Monday, February 8th, 2010

EMI Music is drawing up plans for radical cost cuts, including a further reduction in its 3,500-strong workforce, to persuade investors to stump up the £120m that private equity owner Terra Firma needs to retain control of the business.

The plan, which is being devised by a 12-strong executive team, was disclosed last night by EMI Music chief executive Elio Leoni-Sceti.

It also envisages dramatic growth in the business’s digital operations, which currently account for only 25pc of revenues.

The cost reduction efforts, likely to be overseen by new finance director Shane Naughton, who arrives from United Business Media tomorrow, will amount to cuts of tens of millions of pounds in the division’s cost base.

The cuts will centre on investment in new systems and a drive to rid the business of duplication.

There is also likely to be a further reduction in the directly-employed workforce, on top of the 3,000 jobs culled by Terra Firma founder Guy Hands in January 2008.

Those cuts followed Mr Hands’s highly-leveraged £4.2bn takeover of EMI Group the previous year.

This time, most of the reduction is likely to come from outsourcing and organisational changes.

The revenue plans involve building up sales at EMI Music Services, the merchandising and licensing arm set up by EMI last year.

The division, which includes Loudclothing, a merchandising business bought at the end of last year, will supply services to artists on EMI’s roster and also musicians with other labels.

The plans also envisage digital music sales growing to represent 75pc of total music sales within five years.

EMI Music, which expects to achieve underlying earnings of about £200m this year, needs an ambitious plan to convince Terra Firma’s investors to inject new funds that would prevent a breach of its banking covenants.

The plan is expected to be finalised in the next six weeks before Mr Leoni-Sceti and his team fly to Guernsey to get Mr Hands’s approval.

If it obtains his backing, briefings will be given to potential investors.

Mr Leoni-Sceti said: “We will present a compelling new five-year business plan with particular focus on the coming year.

“It will involve both an acceleration in revenues coming from product innovation at EMI Music Services and some cost reductions from the introduction of new systems and technology and the elimination of some duplication.”

Mr Leoni-Sceti continued: “This will confirm our vision to evolve into a digitally-led music company.

“We have a strong business which is on the right track and that is our best guarantee of our future.”

The importance of the new plan became clear this weekend as investors told The Sunday Telegraph of their increasing concern about injecting more cash into the embattled music group.

Those pension funds, which have already seen £2bn of their investment written down by 90pc, say they are not yet ready to part with the extra £120m needed to stave off lenders taking control.

“At some point you just have to draw a line in the sand,” said one investor. “You can’t just keep pouring good money after bad. And Guy Hands will never stop.”

Another investor who has also ploughed millions into Terra’s Fund III, said that injecting further cash didn’t necessarily represent the best use of money.

Their reservations follow last week’s revelation that EMI – which cost Terra Firma £4.2bn just before the credit crunch in 2007 – lost £1.8bn in its last financial year and needs further funding to prevent the debt default which would allow its bank Citigroup to take ownership.

Fund managers are eager to hear the details of EMI’s strategic plan for its future, which needs 75pc approval before more cash can be drawn down from investors.

They are also keen to get further assurances about the prospects of Terra’s increasingly bitter legal case with Citigroup, which it accuses of duping it into buying EMI.


Stones Roll Over to Universal Music Group

Tuesday, July 29th, 2008

After months of speculation, The Rolling Stones have left EMI for Universal Music Group. UMG said that the new deal with the Stones covers a portion of their back catalog and any future releases. The agreement gives the Polydor imprint any new records from the band, along with full digital and physical rights to releases. (more…)